Schlagwort-Archive: maharadscha

Bayerisches Bier am indischen Hof

Zurück in Deutschland, wird mein Großvater Hannes Fritz-München nach Berlin gebeten. Der Indien-Ausschuss des Deutschen Orient-Vereins hat durch das Deutsche Konsulat in Bombay von Fritz-München gehört, und nun, im September 1936 soll er im Berliner Hotel Esplanade von seinen Erlebnissen in Indien berichten. Er malt dort in den 1930er Jahren über 50 Persönlichkeiten des indischen Hochadels, unter ihnen die Maharajas von Kapurthala, Patiala, Mysore, Udaipur, Faridkot, Dolpur, Jind und Bhavnagar. In Berlin zeigt er damals einige Bilder in einer „farbenprächtigen Ausstellung“ (Berliner Nachtausgabe vom 19. September 1936.)

Fritz-München erzählt im Interview mit der Zeitung: „‚Die Gastfreundschaft indischer Fürsten kennt keine Grenzen… Als einer der Maharadschas erfuhr, daß ich Münchener sei, setzte er alles daran, um mir bayerisches Bier zu verschaffen. Ein anderer krendenzte mir, weil er wußte, wir Deutsche lieben Wein, einen 21er Rüdesheimer aus seinem Keller.'“ Die Zeitung interessiert auch das alltägliche Leben im damaligen Indien: „Aber nicht nur Maharadschas hat Fritz gemalt, sondern nebenbei alle Menschentypen, die ihm im malerischen Indien vor die Palette kamen. ‚Einmal malte ich eine Frau hoch oben im Gebirge. Das war mit einiger Schwierigkeit verknüpft. Da sie Mohammedanerin war, durfte ich sie nur unter Bewachung malen. So war ich bei meiner Arbeit immer von 20 Mann umringt, die aufpaßten, daß ihr nichts widerfuhr.'“

Im Zuge der Recherchen ist das Foto des Porträts der Mohammedanerin wieder aufgetaucht. Es handelt sich um eine mohammedanische Prinzessin aus Lahore. Auf die Rückseite des Fotos schreibt Fritz-München folgendes:

Eine mohammedanische Prinzessin in ihrem Gemach. Nur durch besonderes, freundschaftliches Vertrauen konnte der Künstler dieses Bild malen, da er als ersten Grundsatz auf seine Palette geschrieben hat, die Sitten und Gebräuche eines Landes zu achten! Darum ist nie zu erfahren, wer diese Schönheit ist, denn eine Mohammedanerin darf sich nie aus religiösen Anschauungen heraus malen laßen.

Das Originalporträt wurde um 1937 vom Sächsischen Völkerkundemuseum Dresden erworben, das 1945 durch Brandbomben gänzlich zerstört wurde – mitsamt den Kunstwerken.

Dieses Portrait, das Fritz-München im Jahr 1937 von einem Mann in Ceylon malt (dem heutigen Sri Lanka), bringt er mit zurück nach Deutschland:

Der Hofmaler der Maharadschas

Ende März 2010 veröffentlichte die Münchner ABENDZEITUNG einen ganzseitigen Artikel über meinen Großvater, den Kunstmaler Fritz-München. Natalie Kettinger hat die Erlebnisse meiner Großeltern aus 1001 Nacht im Indien der 1930er Jahre spannend erzählt:

Der Maler der Maharadschas

Here the article in English:

ABENDZEITUNG Munich: March 27/28, 2010

Magical: An artist makes his career in the Orient

The painter of the Maharajas

How Hannes Fritz, graduate of the Munich Academy of Fine Arts, became the portraitist of India’s nobility.

By Natalie Kettinger

The pictures from the past are pin sharp: Hannes Fritz is nonchalant and leans against the ship’s rail. He wears a white shirt, knickerbockers, tennis shoes. He smiles and gives his wife Editha a hug. They kiss each other. It is their honeymoon. The steamer „Strath Naver“ brings the two turtle doves to India. Hannes Fritz has caught every single detail of the 1932 passage on 11-mm film material.

Today, his grandson Konstantin looks at the moving pictures. Soon, the 29-year-old from Seeshaupt will go on the same journey on which his grandfather once reached the stars as the court painter of the Maharajas: In the 1930s, he portrayed under the name Fritz Munich princes, princesses, ministers, governors and the viceroy of the British Colony. The Indian High Society courted the graduate of the Munich Academy of Fine Arts. He was the star guest at their banquets and in their palaces. He became rich and famous. But the Second World War knocked the success of the Indian fairy-tale on the head.

A caricature opens the gates of the palaces to the German artist

Munich’s residents would almost have gotten an impression of the painter’s fabulous journeys. His family had offered two paintings to the makers of the actual Maharaja exhibition in Munich. “We would have liked to place his portraits in the exhibit”, says Wolf-Dieter Fritz, the painter’s son. “Unfortunately, this did not happen.”

Back to the “Strath Naver”, with which numerous Indian nobles travel in 1932. In that time it is quite modern for South Asia’s sovereigns to make a trip to Europe – as well as to throw a masked ball. They have a carnival night on board. Editha Fritz disguises herself as a Bavarian boy, her husband as a pavement painter. He sketches the Maharaja of Udaipur with few chalk lines on the floor. One can easily recognize the Indian sovereign with the enormous turban and the even more enormous belly. The nobleman apparently has got humor. “The Maharaja thought it was great that my grandfather had caught him so clearly and quickly”, says Konstantin Fritz. “So great that he said: Come to my court.”

Fritz Munich does not think twice about the offer. The Rhineland-Palatinate born artist gave a new direction to his life already once. 1923, when he quit his job as a banker at Dresdner Bank and applied successfully at the Academy of Fine Arts. Now he is heading to the Maharaja Palace of Udaipur – why not!

But the German has to prove himself before he is allowed to portray the foreign sovereign. The Maharaja sends his grand marshal as a model ahead. And while Fritz Munich paints the man with the strong eyes, the sovereign is curious and looks over his shoulder. The result satisfies. Fritz Munich has got the job – and is recommended to other courts. The painter and his wife travel from palace to palace. His father crossed the Suez Channel 20 times between 1932 and 1937 on the way from Germany to Asia and back, says Wolf Dieter Fritz. There is lots to do for the portraitist in the colonial India with its about 600 half autonomous principalities.

His involvement with the court of Mandi almost costs the globetrotter’s life. “The crown prince of Mandi was after my mother. She was a cheerful and good-looking woman. He just fell in love with her”, tells Wolf Dieter Fritz. The nobleman decides to get rid of the beautiful dancer’s husband. He invites him to a dromedary ride and calls for a race. Both humps side by side, the camels rush away, when Munich realizes that his surcingle is not tightened. He latches onto the animal – and stays unhurt. But the crown prince does not give up. When Munich takes another ride, this time on a hot-blooded stallion, the heir apparent has his stable-lads walk classy mares along the trail. The stallion goes crazy and chases the mares. The horse dashes in full galopp into the stable. The horseman can pull in his head just in time. Otherwise he would have crashed with the stable door.

A guru prophesies the artist an early death

Now the artist has got enough, he takes vengeance: “My father rode circles on the prince’s tennis court until it looked like a freshly plowed field. Then my parents departed.” After all, there were enough Maharaja courts in India.

Fritz Munich also paints spiritual leaders like the saint of Mount Abou. The session takes three days. Three days, during which the wise man prophesies to the painter. Wolf Dieter Fritz: “He predicted that he would have three sons. That there would break out a war, in which whole nations destroy one another. And that he would not live longer than his 60th birthday.”

In fact, Editha gives birth to three sons in the following years, and Europe becomes a battlefield. Therefore, his beloved India is out of reach for Fritz Munich. “With outbreak of the war, all Germans were detained in camps. This would have happened to my father, too. In spite of his good connections.”

The artist retreats to Seeshaupt, where he buys a house, in which the family resides to this day. There he waits for his end. “The prophecy had put a heavy weight on him. He immediately wrote his last will and told me what to do after his death”, the son remembers. But this time, the guru was wrong. Fritz Munich lives a long life at Lake Starnberg. He only dies in 1981 at the age of 85.

He leaves behind numerous paintings, hundreds of black-white photographs of his journeys, several hours of film material and last but not least the fascination for India. Together with filmmaker Walter Steffen, grandson Konstantin now wants to search for his grandfather’s traces on the subcontinent. The working title of the project: “Munich in India”.

Several paintings of Fritz Munich will be auctioned on May 15 in Heidelberg. Information: http://www.kunst-und-kuriosa.de

Subtitles to the photographs

Big photograph

The grand marshal of the Maharaja of Udaipur. Munich portrayed him first, and then the ruler.

Small photograph, top right

The painter as a young man with Tyrolean hat: Fritz Munich was born in Rhineland-Palatinate and settled later at Lake Starnberg.

Small photograph, central right

The saint of Mount Abou never wanted to have a photograph taken of him. Munich was allowed to portray him. He predicted to the painter an early death.

Small photographs, central

Fritz Munich paints the Maharaja of Faridkot (l.) and the crown prince of Mandi, who was out to kill him later on. The nobleman had fallen in love with the painter’s wife.

Bottom left

Hannes Fritz alias Fritz Munich together with his wife Editha on board of the “Strath Naver”. The steamer brings the couple to India.

Bottom central

He collects today his father’s paintings: The Munich based lawyer Wolf Dieter Fritz

Bottom right

Konstantin Fritz in front of one of his grandfather’s paintings. It shows the studio and the house in Seeshaupt, where the family still lives today.

Translation: Konstantin Fritz